Melanesian Wall of Art: Callout, 2016 Sampari Art Exhibition

Faye 2 (Tommy Latupeirissa) copy

Dancing Antheriums by Faye Gregson (Sampari 2015); Photograph: Tommy Latupeirissa

In recognition of the Melanesian nations success in winning a bitterly contested battle over West Papua’s inclusion in the Melanesian Spearhead Group, Sampari 2016 has created a special Melanesian Wall of Art for artists who live in the Solomon Islands, Vanuatu, Fiji, Papua New Guinea, as well as the Kanak of New Caledonia. The exhibition is for artwork inspired by West Papuans, or by West Papua, or by your people’s relations with the emerging new state.

Melanesians have a unique perspective on West Papua. They see a kin state bursting with songsters and poets and imaginative resistance to Indonesia’s genocidal policies. They see a war zone where brown-skinned people with frizzy hair like themselves are being murdered for raising a flag. They see tiny isolated villages struggling to survive in a militarized colonial space. They see unique flora and fauna stifling in the shadow of the biggest gold-and-copper mine in the world. They want to strong-arm their politicians for their next monumental battle, to relist West Papua on the UN Decolonisation List in September 2016.

How to submit: Step by step Instructions
If your artwork is a photograph, email the photograph, with your Submission Form, to
melanesia.sampari@gmail.com
OR
If your artwork is a one-dimensional A4 size drawing, painting, print, or weaving, scan your work at 720 dpi, and email the scan, with your Submission Form, to melanesia.sampari@gmail.com
OR
If your artwork is a sculpture or other 3D work, take a quality photograph in good light, and email the photograph, with your Submission Form, to melanesia.sampari@gmail.com

The Sampari Committee in Melbourne will print your scan or photograph on quality paper. It will be exhibited on the Melanesian Wall of Art as part of the Sampari Art Exhibition for West Papua in the Australian Catholic University Art Gallery between 2 and 11 December 2016.

Sales of prints will be split 50/50 between the Artist and the Federal Republic of West Papua Women’s office which is a volunteer organisation working for the Self-determination and independence  of West Papua.

Submission Deadline Monday 17 October 2016
Submission Form: https://form.jotform.co/Sampari2016/sampari-2016
SUBMISSION FORM (PDF version)  melanesian-submission-form

For more details or help, please email the Sampari team on melanesia.sampari@gmail.com

FOR OUR KANAK FRIENDS IN NEW CALEDONIA
l’Exposition d’Art Mélanésien Sampari pour la Papouasie Occidentale

Cette exposition et la série d’évènements associés représentent un engagement unique d’une importance considérable.  Cette année nous voulons apporter notre soutien au Premier Ministre des Iles Salomon pour obtenir la réinsertion de la Papouasie Occidentale sur la liste du Comité de Décolonisation des Nations Unies.  Nous voulons démontrer le soutien des autres nations mélanésiennes par le biais de la créativité qui exprime un message fort d’espoir et de solidarité envers la Papouasie Occidentale.  Nous voulons également montrer aux dirigeants et aux médias que les peuples mélanésiens ne soutiennent pas l’occupation illégale de la Papouasie Occidentale.

L’objectif principal du rôles de coordinateur est de collecter les soumissions d’œuvres d’art inspirées de la Papouasie Occidentale dans chaque nation du Groupe Mélanésien Fer de Lance.

RESPONSABILITÉS † Publicité et promotion par le biais des réseaux sociaux, radios, groupes artistiques, posters etc † Rappels des dates limites—les réseaux sociaux, Facebook, sms, email, en personne † Aider les artistes à scanner et numériser leurs documents avant les dates limites, s’assurer de la signature des documents et de leur envoi par courrier électronique (trouver un scanner dont le propriétaire autorisera l’utilisation gratuite, ce que nous reconnaîtrons en tant que parrainage) † S’assurer que les œuvres soumises soient conformes aux conditions requises: résolution (720dpi) et de dimension A4 † Réception du paiement pour les œuvres puis distribution aux artistes (nous aurons besoin de vos coordonnées bancaires)

Vous bénéficierez de l’assistance d’un contact basé à Melbourne qui vous aidera et de répondre à toutes vos questions par email: melanesia.sampari@gmail.com.  Nous vous enverrons les posters et brochures publicitaires en fichiers numériques pour distribution en ligne.

Image: Dancing Antheriums by Faye Gregson (Sampari 2015); Photograph: Tommy Latupeirissa

Peter Woods wins 2015 Sampari Art Exhibition for WP

Peter Woods, Nymphaea Papuana

Peter Woods 2015 Papuana Nymphaea Gouache on watercolour paper

PETER WOODS won the People’s Choice Award at the 2015 Sampari Art Exhibition for West Papua, with his Papuana Nymphaea. The work brings to light the suffering of the West Papuans in the setting of Monet’s famous Nymphaeas series of water lilies. The award was a Gift Voucher ($150) from Fitzroy Stretches in Brunswick.

“This work comes from a current landscape series I have been doing as my response to spending two hours sketching in the gardens of Impressionist Claude Monet in Giverny, France. I have introduced the West Papuan suffering at the hands of the Indonesian state into the setting of Monet’s famous Nymphaes series  of the waterlilies in his famous garden ponds. The images in the pond of young Papuan people recently killed by Indonesian security forces seeks to deliberately disrupt the enjoyment of the garden’s aesthetic. It challenges the viewer to respond to this dissonance and reflect on how we in a free and democratic society can accept violent repression right next door to us. I also reference the ancient mythology  of the beautiful nymphs who were believed to live in ponds – hence the origin of the lily botanical name. In this garden view, however,  it is the beauty of Papuan youth that emerges from the waters, surfacing as ornamental dead witnesses making a mute appeal for justice to lovers, and painters, of pleasure gardens” [Peter Woods].

Van-T-Rudd-1024x768

Van T Rudd Let rage, unity and love take form ACU Art Gallery, 4 December 2015

VAN T RUDD also won a People’s Choice Award with his sculpture Let rage, unity and love take form. The Award was a Gift Voucher of one frame donated by Framed By You in Richmond.

“The fight against the power of capital is global. When somebody resists state forces, they speak the language of a common goal: dignity and equality. Yet corrupt state forces are strong, and their ties with the world’s wealthiest bring immense power. This sculpture displays that fulcrum of opposing powers, and aims to gather and sling the arrows of justice for West Papua [Van T Rudd].

Bronwen Bender

Bronwen Bender 2015, Faces of freedom

BRONWEN BENDER won a People’s Choice Award donated by Great Frames in Northcote with Faces of freedom, her wire-art portrait of four West Papuan (former) political prisoners.

Faces of freedom

1) Jacob Rumbiak, as a student, lecturer, cultural leader, political prisoner, helped inspire the generation of Indonesian students who brought down Suharto in 1998, and the West Papuans who are slowly but inevitably winning their independence. He escaped from Indonesia in 1999 to observe the referendum in East Timor, and from there was flown to Australia where he is widely recognised as a diplomat and a leading scholar on Indonesia and West Papua.

2) Muma Yusefa Alomang and husband Markus Kwalik, whose five children died from tailing sickness, have spent their lives fighting the landlessness, poverty, and disease in communities displaced by the Freeport Mine. Their tribe, the Amungme, has ancestral tenure over Nemangkawi, the site of the mine. Between 1977 and 1994 Muma was incarcerated 18 times, including in a cargo container of human faeces for a month. In 1999 she won the Yap Thiam Hien Human Rights Award, in 2001 the Goldman Environmental Prize, and in 2005 she was one of 1,000 women nominated for the Nobel Peace Prize.

3) Buchtar Tabuni was born into the Lani tribe of the Central Highlands. After studying engineering in Makassar (South Sulawesi) he returned to Jayapura and cormed the West Papua National Committee (KNPB) for independence. In 2008 he was incarcerated for three years for organising rallies in support of the International Parliamentarians for West Papua (in London). In the notorious Abepura Prison he was continually tortured and beaten by the Indonesian military and refused hospital treatment.

4) Babuan Mirino was thirteen in 1962 when the United Nations gave her homeland to Indonesia. While raising her seven children she was midwife to hundreds of women who refused to go to government hospitals where the child and mother mortality rate is the highest in Indonesia. Her husband’s political activism eventually forced her to seek asylum. She founded the West Papua Women’s Office-Docklands.

Other artworks in Sampari 2015 exhibition

Vicki Kinai, Sampari art Exhibition 2015

Vicki Kinai 2015 Perseverance and Endurance against the Odds Twisted tapa fibre, shells, pig tusk, bird, emu feathers (photo: Tommy Latupeirissa, ACU Art Gallery, 4 December 2015)

VICKI KINAI is from Papua New Guinea. Her Perseverance and Endurance against the Odds is a hand-woven necklace designed in the traditional Melanesian style to honour the women of West Papua. “They weave against the odds even when their tomorrow is bleak. They continue to persevere as mothers, wives, sisters, aunties and grandmothers of their loved ones whose lives have been lost in the fight for freedom.”

Honai, ACU Art Gallery, 4-13 Dec 2015

Lobar Wainggai, Gilius Kogoa Honai (photo: Tommy Latupeirissa, ACU Art Gallery, 4 December 2015)

LOBAR WAINGGAI AND GILIUS KOGOA are from West Papua. They and 41 other Papuans escaped in 2005 on a double-outrigger canoe, circumnavigated their huge island homeland and crossed Torres Strait to Australia where they were given asylum. The honai they built for Sampari 2015 is in the style of homes in the Papuan highlands. This one ‘worked’ outside the Indonesian Consulate in Queens Road on 1 and 2 December before moving 7 kms across town to the ACU Art Gallery in Fitzroy.

Honai, 1 Dec 2015, Queens Rd (Tommy Latupeirissa), 2

Lobar and Gilius’ Honai ‘working’ opposite Indonesian Consulate in Melbourne on 1 December 2015

Tommy, Art Exhibition, 1

Tommy Latupeirissa 2015 Struggling for West Papua in Kanaky, Struggling for West Papua in Melbourne, Struggling for West Papua in Solomon Islands (photo: Dekki Woirei)

TOMMY LATUPEIRISSA has been photographing the indigenous peoples of the Pacific for years, at home, at play, and at their most dramatic in cultural festival and political rallies. He uses his photos to fortify the self-determination and independence ambitions of the Melanesian people of West Papua and their cultural cultural and political kin in Maluku.

Jacob, Dean Golja, 2015

Dean Golja Jacob Rumbiak (Sampari 2015, ACU Art Gallery, Fitzroy)

Portrait of Jacob Rumbiak by DEAN GOLJA. “The artist’s intention for this portrait was to capture Jacob’s honesty and the result is this sincere and unpretentious photograph.”

Lance Collins, Author, Critical analyst, WP Rent Collective

Lance comes from the bush, and has a deep love for the environment and a lot of respect for humanity. He has a deeply ingrained sense of what’s right and wrong, of what’s moral and ethical, and what should be done (Burnt by the Sun, Australian Story, ABC-TV, 25 July 2005.



Transcript, Burnt by the Sun, Australian Story, ABC-TV, 25 July 2005 https://www.abc.net.au/news/2005-07-25/burnt-by-the-sun/9169464

Lance Collins was the Australian Defence Force’s top military strategist for years and is well versed in the military history of imperial conquests. He has an abiding concern for the fate of small nations whose existence challenges the strategic interests of great powers. He first heard about the Armenian defence of Manzikert against the Turkic invasions while he was attached to the Headquarters of the 3rd US Army in Kuwait in 1992 (during the withdrawal of UN weapons inspectors from Iraq). He describes the siege as ‘the genesis of a genocide’, drawing a direct link between the imperial invasions of the eleventh century and the ‘Armenian Genocide’ by Ottoman government forces early in the twentieth century.

On 13 September 2015, at the West Papua Office in Docklands, on the 100th anniversary of the Armenian Genocide, Collins considered parallels between the behaviour of the Ottoman Government and Indonesia’s genocidal policies in East Timor and West Papua, where he has himself witnessed the long-term consequences of war, persecution and trauma on people’s lives, and the ongoing impacts of what we now call Post-traumatic Stress Disorder. “We need to recognise the truth of what transpires and oppose these crimes, whether against Armenians, East Timorese, or West Papuans,” he said. “Australia is the only country in the world that has actively fostered a military dictatorship on its doorstep.”

FRWP Press Release, 13 Sept 2015
FRWP Media Release, 13 Sept 2015, Lance Collins

Dr Joe Toscano interviews Lance Collins (60 min) 3CR Community Radio, 9 Nov 2015

How foreign states seek to achieve their foreign policy objectives with the Australian Government Lance Collins, 2018, How foreign states achieve their objectives with Canberra

Lance Collins at the Sampari Art Festival for West Papua in 2015, 2016 and 2017
Australian Catholic University Art Gallery, Fitzroy



A Dowry for the Sultan, A tale of the siege of Manzikert 1054
An historical novel by Lance Collins

A Dowry for the Sultan is an exquisitely detailed account of a massacre averted in September 1054 in the predominately Armenian town of Manzikert on the eastern rim of the Byzantine Empire. An invading army of Turkic warriors from the steppes of Central Eurasia, led by the great Seljuk chief Tughrul Bey, are beaten by the civilians of the town in an extraordinary demonstration of courage, imagination, and love. (Seventeen years later, the steppe warriors returned and defeated the armies of the Byzantine Emperor Diogenes, opening up Anatolia, in what is now the Republic of Turkey, to the mass-migration of Turkic herders and their flocks).

Review, A Dowry for the Sultan, by Bishop Hilton Deakin
A Dowry for the Sultan, Review, Bishop Hilton Deakin

Reviews and author’s research-photos of Manzikert
https://www.facebook.com/DowryfortheSultan/

Buy A Dowry for the Sultan ($30)
West Papua Office, 211/838 Collins St, Docklands; frwpwomensoffice@gmail.com

Jill Collins preparatory sketch for her brother’s book
Jill, Preparatory sketch, A Dowry for the Sultan

West Papua Rent Collective

Office 1

Opening of the West Papua Office in Docklands on 23rd June 2014 (photo: Tommy Latupeirissa)

The West Papua Rent Collective is a galaxy of enlightened Australians that supports our neighbour’s independence struggle by paying the rent on the West Papuans’ spectacular five-star-energy office in Docklands (Melbourne). Each member pays $30/month, or $360/year in cash, or cheque, or through internet banking facilities.

The issue of Indonesia’s occupation of West Papua has been marginalised, even ostracised, by Australian governments since 1962, when Sir Garfield Barwick signed the New York Agreement, effectively (and illegally) rendering the UN Non-Self-Governing Territory an Indonesian colony.

WP Rent Collective bank details
BANK: Commonwealth Bank Australia
ACCOUNT NAME: West Papua Association, Melbourne
BSB 063162; ACCOUNT NO. 10300635

Inquiries
Dr Joseph Toscano, PO Box 5035, Alphington, Victoria 3078, Tel: 0439 395 489
West Papua Women’s Office-Docklands at  frwpwomensoffice@gmail.com

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